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Moustapha Alassane, Pioneer of the Golden Age of Nigerien Cinema

F.V.V.A. / Shaki

Co-presented with Scribe Video Center

Dir. Moustapha Alassane, Niger/Burkina Faso, 1972, 35mm, 68 min., French, Hausa w/English subtitles
With Zalika Souley, Djingarey Maiga, Sotigui Kouyaté, Ai Keita. Ali is a modest clerical worker who becomes obsessed with the trappings of earthly success: a woman, a house, a car, and money. As his finances grow ever shakier, he seeks the guidance of a crafty marabout and turns to a life of crime.

followed by: 
Dir. Moustapha Alassane, Niger, 1973, 16mm, 25 min., French, Hausa w/English subtitles
As he observes the coronation of the Shaki king in the Oyo State of western Nigeria, Alassane reflects on the syncretic intermingling of Aborisha, Islamic, and Christian religious traditions.

Moustapha Alassane, Pioneer of the Golden Age of Nigerien Cinema
This first North American retrospective of Moustapha Alassane (1942–2015), a pioneer of populist cinema in newly independent Niger in the 1960s and 1970s, is presented in association with La Cinémathèque Afrique de l’Institut français. A fabulist who sheathed the sharp sting of his political satire within playful stories of water genies, pugilistic frogs, cowboys, and brave fishermen, Alassane parodied colonialist attitudes toward black Africans, the corrupt despotism of local officials, and the shallow materialism of Niger’s youth in a series of animated, fictional, and ethnographic films that remain beloved and influential today. The lure of cinema, with its magical play of shadow and light, inspired Alassane to give up his career as a mechanic and turn toward making art for the masses. His earliest animated films were simple projections of cardboard cutouts, but his work quickly matured, leading to friendships and collaborations with Zalika Souley, one of Africa’s preeminent actresses, the French documentarian Jean Rouch and the Canadian animator Norman McLaren. Alassane’s films are vital and imaginative records of Nigerien traditions and rituals. Organized by Joshua Siegel, Curator, Department of Film, The Museum of Modern Art, with Amélie Garin-Davet, French Embassy in New York. Special thanks to Mathieu Fournet and Véronique Joo’Aisenberg. All images and written descriptions courtesy of MoMA.