• film

Making/Breaking the Binary: Women, Art & Technology (1968-85)

The Pioneers of Pixels, Feedback, and Glitch

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Thursday 10/5
7:00 pm
$10 General Public
$8 Students & Seniors
FREE Lightbox Members & IHP Residents

FOR FILMS AND EVENTS PRESENTED BY IHP, Tickets ARE Also Available From the IHP Box Office, which is normally open Tue-Sat from noon-8pm (or, for events outside of those times, from one hour before until one hour after the scheduled starting time).  
call 215.895.6590. 

As part of Making/Breaking the Binary: Women, Art & Technology (1968-85) curated by Kelsey Halliday, we present three programs of film and video held in conjunction with the video works presented by Vox Populi at the Icebox Grey Area and the core exhibition at the Rosenwald-Wolf Gallery at University of the Arts on view from October 8 – December 8. 

A program of short films by animation, experimental film, and video art pioneers who unearthed new aesthetic realms through computer art, image processing, and appropriation. 



Dir. Lilian Schwartz, US, 1972, 7 min.


Dir. Vasulkas Inc., US, 1979, 2 min.

Taking a Line for A Walk

Dir. Lesley Keen, UK, 1983, 10 min.

Chamber Suite

Dir. Mary Ross, US, 1982, 5 min.

Arbitrary Fragments

Dir. Barbara Aronofsky Latham, US, 1978, 13 min.


Dir. Lynda Benglis, US, 1973, 9 min.

Circles II

Dir. Doris Chase, US, 1972, 14 min.

PM Magazine/Acid Rock

Dara Birnbaum, US, 1980, 4 min.

If It's Too Bad to Be True it could be DISINFORMATION

Dir. Martha Rosler, US, 1985, 16 min.

Leaving the 20th Century

Dir. Max Almy, US, 1982, 11min.

Making/Breaking the Binary: Women, Art & Technology (1968-1985) is supported by The Pew Center for Arts & Heritage.