• film

Moustapha Alassane, Pioneer of the Golden Age of Nigerien Cinema

Kokoa / Moustapha Alassane, Cineaste of the Possible

Get Tickets
Saturday 9/16
8:00 pm
$10 General Public
$8 Students & Seniors
FREE Lightbox Members & IHP Residents

FOR FILMS AND EVENTS PRESENTED BY IHP, Tickets ARE Also Available From the IHP Box Office, which is normally open Tue-Sat from noon-8pm (or, for events outside of those times, from one hour before until one hour after the scheduled starting time).  
call 215.895.6590. 

Co-presented with Scribe Video Center


Dir. Moustapha Alassane, Niger, 2001, 16mm, 14 min., French, Hausa w/English subtitles

The festive citizens of the Kingdom of Frogs crowd into an arena to watch their warriors engage in hand-to-hand combat and to see Tountia and her musicians perform an enchanting concert.

Followed by:

Moustapha Alassane, Cineaste of the Possible

Dir. Christian Lelong,/Maria Silvia Bazzoli, France, 2008, video, 93 min., French w/English subtitles

In this endearing documentary portrait, Alassane reminisces about magic lanterns, Chinese shadow puppetry, and his own pioneering role in the Golden Age of Nigerien cinema.

Moustapha Alassane, Pioneer of the Golden Age of Nigerien Cinema
This first North American retrospective of Moustapha Alassane (1942–2015), a pioneer of populist cinema in newly independent Niger in the 1960s and 1970s, is presented in association with La Cinémathèque Afrique de l’Institut français. A fabulist who sheathed the sharp sting of his political satire within playful stories of water genies, pugilistic frogs, cowboys, and brave fishermen, Alassane parodied colonialist attitudes toward black Africans, the corrupt despotism of local officials, and the shallow materialism of Niger’s youth in a series of animated, fictional, and ethnographic films that remain beloved and influential today. The lure of cinema, with its magical play of shadow and light, inspired Alassane to give up his career as a mechanic and turn toward making art for the masses. His earliest animated films were simple projections of cardboard cutouts, but his work quickly matured, leading to friendships and collaborations with Zalika Souley, one of Africa’s preeminent actresses, the French documentarian Jean Rouch and the Canadian animator Norman McLaren. Alassane’s films are vital and imaginative records of Nigerien traditions and rituals. Organized by Joshua Siegel, Curator, Department of Film, The Museum of Modern Art, with Amélie Garin-Davet, French Embassy in New York. Special thanks to Mathieu Fournet and Véronique Joo’Aisenberg. All images and written descriptions courtesy of MoMA.